Each chapter addresses an important question: What happens when we try to express reality in two dimensions? Why is the 'Mona Lisa' beautiful and why are shadows so rarely found in Chinese, Japanese and Persian painting? Why are optical projections always going to be more beautiful than HD television can ever be? How have the makers of images depicted movement? What makes marks on a flat surface interesting?
Energized by two lifetimes of looking at pictures, combined with a great artist's 70-year experience of experimentation as he makes them, this profoundly moving and enlightening volume will be the art book of the decade.